October 1, 2014
If you were looking at the Huffington Post last week, you may have read an article called “Fashion And Ballet Go So Well Together, And We Have The Sketches To Prove It”.
You may have been caught up in the wonder and glamour of the costumes and the sketches, just as I was. It all got me thinking about another time when ballet and fashion met. I wrote about it in the book Pantone The 20th Century in Color in the chapter called Theatrics.
Theatrics is all about the symbiotic relationship between Leon Bakst and The Ballet Russes Scheherazade. This was a complementary combination that sparked color and fashion trends.
Below is an excerpt from the chapter.
“Russian-born Bakst brought a fascination with folk art and Eastern sensibilities into his work. His patterns simplified Turkish, Persian, and Central Asian textiles into bold, modern geometry. Suzani embroideries were simplified into cotton prints of concentric circles. References to complicated ikat patterns were delivered in crisp applique or beading. Diaphanous, patterned scarves swirled suggestively around women’s costumes constructed with simple bras and hip bands rather than a stiff corset. Occasionally, as in star dancer Vaslav Nijinsky’s performance in Prelude a l’apres-midi d’un faune, sexualized choreography combined with Bakst’s designs challenged social mores of the day.
But his admirers were undaunted. His work elicited a fashion craze, which opened the way for brightly collared clothing with Orientalist touches like plunging V-necks, turbans, and tribal jewelry. His set designs were no less influential, and for many years to come, divans and floor cushions were used to evoke a bit of Scheherazade’s enchantment.”
It’s always fun to look at where trends are now and where they are headed but it can be just as fun looking back and following them along their colorful way.
Click the link below for more on fashion and the ballet.