February 28, 2013
As a color/design consultant, forecaster and author, I always look to the art world for inspiration and direction, especially shows and exhibits that are garnering much attention in the art world. So I read with great interest on artdaily.com about one show that changed it all.
“The International Exhibition of Modern Art — which came to be known, simply, as the Armory Show — marked the dawn of Modernism in America. It was the first time the phrase “avant-garde” was used to describe painting and sculpture.
On the evening of the show’s opening, 4,000 guests milled around the makeshift galleries in the 69th Regiment Armory on Lexington Avenue.
Two-thirds of the paintings on view were by American artists. But it was the Europeans — Van Gogh, Gauguin, Cezanne, Picasso, Matisse, Duchamp — that caused a sensation.”
And what a sensation indeed! It was 100 years ago that art in the United States was forever changed. It was only one year later that Cubism would continue to evolve the world of art.
The serious, demanding intellectualism of the Cubist proposition was too important to be rendered in the decorative colors of the Fauves. Picasso and Georges Braque delivered their message in somber tones, along with the bits of wrapping paper, wallpaper, newspaper, and even sand, dirt, and house paint. Eventually, later Cubists like Robert Delaunay and Juan Gris introduced more vivid colors in a desire to capture the vibrant urban reality of pre-WWI Paris.
Nude Descending a Staircase (No.2) was the star of the Armory show and is a star in the book Pantone The 20th Century in Color. Take a minute to listen or read about the Armory Show from 1913. If that doesn’t quench your thirst you can click the link below to explore the website that the Smithsonian has put up that is a detailed timeline of archival material from that very show.